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Mamdani and the Met
See audience strategy from the demand side
Your go-to source for audience insight, consumer trends, business model strategy, and fresh thinking on what drives relevance, demand, and growth in the arts.
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The wrong starting point
What if today’s arts sector is built on the wrong theory of demand?
Oracle saved the Nashville Symphony’s season. Now comes the harder part.
Oracle saved the Nashville Symphony’s season. Now comes the hard part: getting an organization full of people with different priorities, experiences, and beliefs to move forward together.
Mamdani and the Met: What the Metropolitan Opera Could Learn From Its Newest Patrons
By partnering with NYC, the Met gains access to a broad network already connected to millions of New Yorkers outside its normal customer base. But there's a second opportunity here, and it could matter more than access.
Can Gustavo Dudamel Save Classical Music?
The New York Times’ weekend episode of The Daily has a bold headline: Classical Music Is in Crisis. Gustavo Dudamel Is Here to Save It. That’s an enormous amount of pressure on one single person.
This is not a website redesign
At first glance, these two screenshots look like a before-and-after website redesign. But what you’re really seeing is a change in how an orchestra understands the value it creates.
How arts organizations win in a billion-dollar attention economy
We'll never win the fight for attention with budget or spectacle. But understanding the human experience? That's how we win against massive brands and big tech.
What Gartner just confirmed: active personalization beats passive.
Personalization without genuine customer understanding, says Gartner, can backfire. The solution? active personalization.
2.9x Ticket Conversions: When Marketing Starts with Patron Need
Can need-based intelligence increase engagement and drive higher ticket sales? A 16-week controlled test at the New Bedford Symphony.
Why Customer-Centered Thinking Keeps Getting Pulled Back Into the Status Quo
This happens a lot. A demand-side insight surfaces in the sector, and the product-centric model absorbs it back into the same logic it's always run on.
The Boston Symphony Orchestra's Real Crisis Has Nothing to Do with Andris Nelsons
BSO's 40% audience decline isn't a conductor problem or a financial problem. It's a business model problem. Here's what the data says—and why no conductor search fixes it.
The Wrong Trousers: What the Met Opera’s Crisis Reveals About Strategy in the Arts
The Met is in the New York Times again, searching for another solution to its financial crisis. This time, they brought in BCG.
Built for a Different World: The Arts Sector Business Model Problem
Arts organizations aren't naturally resistant to change. But it feels that way, right? And it’s all too easy to assume that it’s a leadership problem. But it’s the model that creates inertia.
Can need-based intelligence increase engagement and drive higher ticket sales? A 16-week controlled test at the New Bedford Symphony.