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Can Gustavo Dudamel save classical music?
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Can Gustavo Dudamel Save Classical Music?
The New York Times’ weekend episode of The Daily has a bold headline: Classical Music Is in Crisis. Gustavo Dudamel Is Here to Save It. That’s an enormous amount of pressure on one single person.
This is not a website redesign
At first glance, these two screenshots look like a before-and-after website redesign. But what you’re really seeing is a change in how an orchestra understands the value it creates.
How arts organizations win in a billion-dollar attention economy
We'll never win the fight for attention with budget or spectacle. But understanding the human experience? That's how we win against massive brands and big tech.
What Gartner just confirmed: active personalization beats passive.
Personalization without genuine customer understanding, says Gartner, can backfire. The solution? active personalization.
2.9x Ticket Conversions: When Marketing Starts with Patron Need
Can need-based intelligence increase engagement and drive higher ticket sales? A 16-week controlled test at the New Bedford Symphony.
Why Customer-Centered Thinking Keeps Getting Pulled Back Into the Status Quo
This happens a lot. A demand-side insight surfaces in the sector, and the product-centric model absorbs it back into the same logic it's always run on.
The Boston Symphony Orchestra's Real Crisis Has Nothing to Do with Andris Nelsons
BSO's 40% audience decline isn't a conductor problem or a financial problem. It's a business model problem. Here's what the data says—and why no conductor search fixes it.
The Wrong Trousers: What the Met Opera’s Crisis Reveals About Strategy in the Arts
The Met is in the New York Times again, searching for another solution to its financial crisis. This time, they brought in BCG.
Built for a Different World: The Arts Sector Business Model Problem
Arts organizations aren't naturally resistant to change. But it feels that way, right? And it’s all too easy to assume that it’s a leadership problem. But it’s the model that creates inertia.
The sentence that unlocks board engagement
The moment you frame the sector's problems as structural, your board stops offering tactical fixes and starts asking the right questions.
What if arts patrons aren’t “different”
What if arts patrons aren't inherently different? What if the traditional arts model makes them behave differently?
Zero-Party Data: How arts organizations win in a privacy-first world
We’re living through the biggest data shift in 20 years, and it's forcing a reckoning for arts leaders: know your audience deeply, or lose them to organizations that do.
Can need-based intelligence increase engagement and drive higher ticket sales? A 16-week controlled test at the New Bedford Symphony.