The arts are not toothpaste

The arts are not toothpaste.

The subscription model that the performing arts world is built around?

It only briefly aligned with how most people actually behaved—a narrow window in time when routines, loyalty, and consumer habits lined up.

Subscribing to the arts made perfect sense when:

  • People had stable routines.

  • They planned ahead.

  • They had fewer entertainment options and wanted predictable, enriching nights out.

Back then, subscriptions fit—because life itself was structured, habitual, loyal.

The internet shattered that world. Today, people build lives around:

  • Flexibility

  • Spontaneity

  • Emotional relevance

They subscribe when something solves a daily need—streaming services, groceries, toothpaste.

The arts don’t meet a daily need. They meet a motivational one.

And those motivations—like stress relief, social connection, or digital detox—don’t operate on a fixed schedule.

If we build for episodic attendance, we build for longer return windows. People come when they feel a need—not because it’s on the calendar.

Suddenly, churn isn’t a red flag anymore. It’s a feature.

When we shift focus to customer motivation, we can design for the people who actually need what we offer—not just track who didn’t show up.

And that market? It’s massive compared to the shrinking group of Loyals we’re still counting on not to churn.

Yes, you’ll still offer subscriptions. But your GROWTH will come from building episodic, need-based entry points. Subscriptions become one of many revenue streams—not the foundation.

Think of it like this: You're not replacing the engine. You're adding solar panels to the roof so the house isn’t always at the mercy of the grid.

And one day? You’ll realize those panels are powering most of the house.

Ruth Hartt

Ruth is an opera singer who swapped the stage for the world of business innovation. Now she helps arts and culture organizations ignite radical growth by championing a radically customer-first audience engagement model.

Blending deep arts and nonprofit experience with eight years as Chief of Staff at the Clayton Christensen Institute—a globally recognized authority on business and social transformation—Ruth equips arts leaders to redefine relevance, expand audiences, and unlock new demand.

A frequent speaker at industry conferences and dual-certified in digital marketing strategy, Ruth is leading a movement to grow arts audiences by aligning strategy with the needs of today’s consumer—future proofing the sector with a business model that’s built for today’s digital world.

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