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Is it personal? Or is it just “creepy and irrelevant”?
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A paradigm shift for arts marketing
Here's a powerful paradigm shift culled from business theory for arts organizations struggling with audience decline.

The marketing strategy that fueled Intercom’s stunning growth
A software company tailored their marketing strategy to correspond with the phases of the customer journey. The results were extraordinary.

Before you pull the trigger on that gorgeous video ad
Before you pull the trigger on that gorgeous video ad; before you click "send" on that brilliant social media campaign; ask yourself this one simple question.

The perfect homepage? Opera Australia is in the running.
Before I saw Opera Australia’s website, I was pretty certain that a truly customer centric homepage did not exist in the arts sector.

What’s NOT trending in 2022? The ivory tower.
This is how you build brand loyalty, and The Philadelphia Orchestra is nailing it.

6 assumptions arts organizations are getting wrong across the industry
It’s time to reconsider the traditional assumptions on which the majority of arts organizations base their marketing and strategy.

What does Spirit Airlines have to do with arts marketing?
Make it easier for your target audiences to make a purchasing decision by clearly framing the tradeoffs.

Does your video marketing ignore the reality of your target audiences?
Think about the last orchestra/opera/ballet commercial you watched, whether on TV or social media. Was there anything familiar or relevant for the Outsiders in that video?

Revlon sells hope. What does your cultural organization sell?
The founder of Revlon once said, "In the factory, we make cosmetics. In the drugstore, we sell hope." It’s a framework that’s key to relevant, empathetic marketing.

A soccer mom walks into a lumber yard: Developing empathy for your outsiders
Consumers simply don’t seek out experiences that cause stress, effort, or uncertainty. Which means that your Outsiders won’t be convinced to partake of your offerings—unless you deliberately shape the whole experience from marketing to ticket purchase to the event itself to be more familiar, more comfortable for them.

Do you REALLY know what your cultural audiences need? A deep dive and how-to guide.
Whether the your target audiences ultimately choose your arts event depends on how well you understand and respond to their needs, their emotional context, and their social circumstance.

Want to grow your audiences? Embrace the haters.
In the cultural sector, as we work to grow our audiences, are we trying to "shore up" the areas that don't need it, meanwhile ignoring the areas that do?
Arts orgs have long relied on demographic and transactional data to segment their audiences—age, income, ticket history, and zip code serving as proxies for interest and intent. But these traditional models have lost their predictive power.